![]() However, the constant turmoil of trying to pay bills alongside that longer-term work has proven unsustainable for quite some time now. It's still not finished, but I know it can happen someday. This led to a huge number of albums being in progress to this day-No Earth, for example, is an album I started on way back in 2016, and have been working on ever since. stop me halfway to the finish line because it "wasn't good enough". Things eventually shifted-in 2016, I hit a "sweet spot" of being able to create without letting my O.C.D. This was maybe the most difficult period of my life, the process of trying and failing to make myself more marketable when I knew very well that I could make it in this business with a different attitude. ![]() Eventually, after two years of struggling to fit into full-time job elsewhere, I had to look toward music to make my living. Most of what I'm known for was made when I still lived with my parents, and that changed when I moved out on my own in mid-2012, which was about 6 months after Floral Shoppe was released, and only a month and a half after I released "情報デスクVIRTUAL". My art was never grounded in aspirations to make money. ![]() ![]() I've been doing music & graphic design for about 15 years now-over half of my life as it turns out-and over that course of time I've worked under a huge number of names: Vektroid, Macintosh Plus, Laserdisc Visions, 情報デスクVIRTUAL, PrismCorp Virtual Enterprises, Sacred Tapestry, Tanning Salon. ![]()
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