![]() ![]() ![]() ![]() As the group grew more confident, the gritty sonics of their demos became less incidental to the songs they were making, and more a part of the songs themselves. This progression of demo recordings documents not only the evolution of the band's playing, but also their increasing attention to texture and ambiance. Much of this can be credited to Fogarino, who joined the band between their second and third tapes and brought with him a rhythmic confidence and swagger that provided the crucial missing piece of Interpol's singular sound. Somewhat ironically, it is only the third and final four-song demo, recorded at the band's practice space, where Interpol stops sounding like four guys in a practice space tentatively running through busy rock songs. ![]()
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